Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?
On December 5, 2024, a leading publication ran the front-page story “Insurance CEO Shot Dead In Manhattan”. The article went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then walked coolly away”. The daytime killing was truly cold and shocking. But many Americans had a different response: for those who had been denied health insurance or faced exorbitant healthcare costs, the news felt cathartic. Social media blew up. One post read: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the AI algorithm the insurance company designed to maximize profits on your health.”
Five days later, Luigi Mangione, a handsome, twenty-six-year-old University of Pennsylvania graduate with a master’s in computer science, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He faces court proceedings on federal and state charges of murder, with prosecutors seeking the capital punishment. So what is his background? And what drove the accused offense? These are the questions John H Richardson seeks to resolve in an investigation that delves into wider topics, too.
Understanding the Person
A writer for a major publication, Richardson spent years researching the communities that lurk in the dark corners of the internet, producing articles about people “plagued by genuine concerns about an apocalyptic future”. To uncover “the making” of his subject, Richardson first examines Mangione’s wide-ranging book list. We learn that “[when] he was taken into custody, Luigi had a list of nearly three hundred titles on Goodreads”. Their content covered climate change to masculinity, along with a “focus on his own self-improvement, both body and mind”. Furthermore, Richardson sifts through his communications with influencers and authors as well as his many posts on digital networks. These primary sources, intended to depict a picture of Mangione, instead render him an amorphous figure. Richardson attempts to explain this by suggesting that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson attempts to cast his subject in archetypal terms.
Mangione is profoundly worried about the world around him, one where ‘change is rapid whether we like it or not’
Interpreting the Incident
As for “the meaning” of the title, Richardson uses as a clue three words – “postpone”, “deny” and “remove”, engraved on the bullets left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to reject claims. He examines the evidence Mangione suffered from a long-term spinal issue, which could have been a reason for an attack, but finds no proof; instead, what significance there is seems to lie in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to ultimately either take control, or destroy us, or both.
Gaps in the Narrative
Conspicuous by their absence from the book are interviews with the principal actors. Richardson made requests, but never expected time with Mangione himself. And his relatives made it clear that they had chosen not to talk to the media in prior to the trial. Another glaring gap is any detailed data about the deceased, Thompson, though we learn that under his guidance, from the early 2020s, company earnings rose significantly.
Unclear Conclusions
By book’s end, the audience has no clear understanding of Mangione’s personality or what could have driven his accused actions. Worse still, Richardson’s obvious sympathy for him creates the uncomfortable impression of having been exposed to a veiled endorsement of an assassination. In the book’s closing remarks, Richardson presents his fairytale assessment: “We’ve entered a time of fables, the insane ruler, the beast in the labyrinth and the emperor without clothes.” In that fable “outlaw heroes come with a beautiful promise … They arrive in periods of unrest, when the population is in pain and everything is confusing anymore.”
One thing is clear: as Mangione’s legal representatives continues in its attempts have charges that could lead to the death penalty thrown out, any mention of myths, Robin Hoods, champions or villains will not be allowed in court in support for this handsome young man with a “features reminiscent of classical art” facing judgment for murder.